By Elizabeth Sutton
Elizabeth Sutton, utilizing a phenomenological process, investigates how animals in paintings invite audience to consider human relationships to the flora and fauna. utilizing Rembrandt van Rijn’s etching of The Presentation within the Temple (c. 1640), Joseph Beuys’s social sculpture I Like the United States and the United States Likes Me (1974), archaic rock work at Horseshoe Canyon, Canyonlands nationwide Park, and examples from modern artwork, this booklet demonstrates how artists throughout time and cultures hired animals to attract awareness to the sensory event of the composition and mirror upon the shared sensory wisdom of the world.
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Art, Animals, and Experience: Relationships to Canines and the Natural World (Routledge Advances in Art and Visual Studies) by Elizabeth Sutton